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Grad Profile: From criminology to the Berlin opera

Sophia Maskine, Fountain School of Performing Arts

- June 10, 2025

Sophia Maskine as the Fairy Godmother, with Karina Matys as Cinderella in DalOpera's Cinderella and the Box Office | Set Designer: Katrin Whitehead, Costume Designer: Diego Cavedon Dias, Lighting Designer: Bruce MacLennan (Kate Hayter photo)
Sophia Maskine as the Fairy Godmother, with Karina Matys as Cinderella in DalOpera's Cinderella and the Box Office | Set Designer: Katrin Whitehead, Costume Designer: Diego Cavedon Dias, Lighting Designer: Bruce MacLennan (Kate Hayter photo)

This article is part of a series focusing on the grads of the »Ź¹Ś²©²Źapp Class of 2025. Spring Convocation takes place May 30 and from June 9-19 in Halifax and Truro. Read all our profilesĢżhere in one placeĢżas they are published.

Like many people, Sophia Maskine found herself at a crossroads during the pandemic. Although she had a criminology degree in hand and expected to head to law school next, she began to question her path.

That’s when Sophia came face-to-face with a big, life-changing decision: stick with the plan or pivot and study music.

ā€œThe pandemic made me realize I need to do what I'm really passionate about and what makes me happy,ā€ says Sophia, graduating this week from Dal’s Bachelor of Music program with a concentration in vocal performance. ā€œMaking that decision was a big risk.ā€

ā€œMaking that decision was a big risk.ā€

While she’d been taking voice lessons, singing pop songs, and doing musical theatre from a very young age, Sophia didn't have any classical voice training. Working closely with her voice instructor, Cindy Townsend, inspired Sophia to pursue a career in opera.

ā€œI’ve worked hard at it to get good and was very lucky to have Cindy and Tom King, my collaborative pianist, for the past four years,ā€ she says.

Finding the right octave

Sophia tested out a range of different performance styles during her final year.

She played the fairy godmother in DalOpera’s Cinderella & The Box Office, was a featured soloist in Concerto Night, and finished her concert season singing a Nat King Cole standard at DalJazz Ensemble’s big band concert.


Sophia performing with the DalJazz Ensemble. (Kate Hayter photo)

As she says, it was a year that required a lot of ā€œsmart singing.ā€

ā€œThat’s part of what’s unique to »Ź¹Ś²©²Źapp’s music program,ā€ says Sophia. ā€œYou don't have to just sing one thing.ā€

She says singing with the jazz ensemble was ā€˜so exciting,’ yet also ā€˜more chill’ than singing opera.

ā€œI’ve heard so many opera singers trying other styles, but they still sound like they're singing operaā€ she says. ā€œUnderstanding the physiology of it, and knowing how that works in your body, helps you make those different sounds.ā€

A dream come true

Few experiences are more exciting for a vocal student than the chance to work with the »Ź¹Ś²©²Źapp Symphony Orchestra as part of Concerto Night. From the audition process to performing onstage in the Rebecca Cohn Auditorium, the stakes are high enough to give students a taste of what it feels like to be part of a major performance.

Image left: Sophia in DalSymphony'sĢżConcerto Night 2025Ģż(Kate Hayter photo)

Sophia says performing as a soloist backed by fellow students in the orchestra was a dream-come-true moment in her time at Dal.

ā€œI cried after my first rehearsal with the orchestra,ā€œ she says. ā€œThat’s when you know this is what you're meant to do, when something moves you so deeply.ā€
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Cross-program collaboration

Undergraduate vocal students at Dal also benefit from the rare opportunity to perform in a fully produced opera. It’s a collaborative process that involves working with students and faculty members in other Fountain School departments.

ā€œOur costumes for Cinderella were stunning,ā€ says Sophia. ā€œI have so much respect for the work our guest costume designer, Diego Cavedon Dias, and our Costume Studies students put into them. To work so hard to make sure things fit us correctly and watch how they brought their vision to life was inspirational.ā€

Shown right:ĢżSophia Maskine as the Fairy Godmother in DalOpera's Cinderella and the Box Office | Set Designer: Katrin Whitehead, Costume Designer: Diego Cavedon Dias, Lighting Designer: Bruce MacLennan (Kate Hayter photo)

Sophia says she loved her fairy godmother costume so much she didn’t want to take it off.ĢżĢż

ā€œI wanted to go get sushi in it on breaks.ā€

Next stop, Berlin
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Sophia dreams of becoming a professional opera singer and currently thrives in comedic roles, where she enjoys the freedom to be playful and over the top. This summer she’ll take on the role of step-sister Nóemie in Jules Massenet’s Cendrillon at the Berlin Opera Academy. With Berlin’s rich operatic culture and four major opera houses, she’s eager to immerse herself in the city’s vibrant scene, collaborate with international students, and audition for agents.

As a graduating voice student from the Fountain School, Sophia recently performed an hour-long classical concert that included a tribute to her Lebanese heritage. Reflecting on her time at Dal, she encourages new students to embrace challenges and stay open to growth.

ā€œDon’t be intimidated by the opportunities you’ll receive,ā€ she says. ā€œSinging in new Joseph Strug Concert Hall is a gift, and I’m really going to miss it.ā€